虽然分镜很适合用来叙事,但对于漫画这种平面媒体来说,想要把人类复杂的行为动作简洁明确的表达出来,还是非常困难,更不用说运球,假动作投篮,试探步突破等精密的篮球技巧,在体育技巧中使用分镜,并且用的出神入化的,井上雄彦是业内第一人。
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  而 井上雄彦一来不喜欢搞这些小聪明,二来因为这货性子实在是太倔执着于追求完美,在初期不成熟的尝试过后,井上终于可以熟练的掌握多分镜的使用,这种办法使 之自己漫画中人物的每一个动作都形成了一小段,而每个环境下人物不同反应的分镜头顺畅的连接在一次,一个完整流畅

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